following previously unreleased - the critically-acclaimed run of nine 12inch vinyl eps released this summer over 9 weeks by trevor jacksons much loved playgroup - a limited edition vinyl bonus ep is being released to coincide with a selected highlights cd and digital version of the album available on the 2nd december.

the strong first release on new label morchelle comes from estmode. a mix of analog and digital hands brought up this little ep. on side a we find a solid beat engaging rhythm that grabs you and carries you along. conviction is the word to describe side b, with an awesome thick synth coming in the middle of everything that definitely characterise and particularise a lot the track. something to impress with, a must have record.

society 3.0 recordings set out to put together a collection of songs in the form of an excellent 12- maxi single / digital download release, featuring 6 tracks from a host of talented artists. marc de vole & ray simon dominate the first half of the record, with their incredible dense sound and awe-inspiring deep house philosophy. mr. de vole has been into electronica since the late 90s, and his seasoned experience clearly shows through his track. this is an artist who strives to create focused and punchy tracks, yet retain a very special intuition that add that sought-after -human touch- to his works. russian artist -tuneon- dominates track n.3, -blumarine-. the song flirts with 90s disco and house influences, adding some color and texture to the setlist, without straying too far from the mood previously set by marc de vole and ray simon. the second half of the release features the work of sergio parrado and ernesto paredano, who set out to collaborate on 3 tracks for this release. these tunes showcase a more modern and european approach to the sound. on -mamey- and -krill-, the pair showcase an interesting approach to percussiveness, creating intricate and dense rhythmic pattern that truly drive the songs. closing number -tempranillo- embodies the spirit of classic deep house and tech, serving as a perfect closing number for such an exciting and diverse release.

in den letzten zwei jahren hat der renommierte us-rapper atmosphere sieben songs unabhängig voneinander digital veröffentlicht. »frida kahlo vs ezra pound« fasst diese track nun erstmalig auf cd und vinyl zusammen.
die limitierte 7”-box enthält sieben vinyl singles, die zusätzlich noch die instrumental tracks bieten. die songs wurden von atmosphere produziert und enthalten gastfeatures von u.a. aesop rock, grieves, prof, blueprint, dem atlas und eric mayson.

vinyl only. no digital promotion. mr ks & friends is back with a taymor zadeh ep. already massively played by dyed soundorom, djebali and friends. 2 original tracks + 1 remix from leftroom boss matt tolfrey + a great dj tool!

creepin in plays with the gray areas that exist between genres, contrasting with the clarity of the digital synths and over saturated analog drums. next up ineffekt is acid electro cut with thrashing percussion held together with 808 drums. red alert is the only track with a vocal. classic roland drums, deep sub and hardware synths mixed with the hypnotic vocal overlays make this one for the freaks. sky pager is slow cooked mid 90 s jacking business, the kind i m known for. 808 trash pile is an acid hammer of a cut with the drum and synth doing a maniacal game of call and response.

currently being rinsed out by dj storm, digital & flava... this is response s 2nd solo track for horrific recordings, he first featured on horrificoo2 back in 2014 with aiden s tune an amen piece under the guise ego scene . you know response s trademark sound, his contemporary runnings on v - recordings,ingredients,commercial suicide,fresh 86. manchester s most dangerous d&b purist kicks this one off with haunting perilous chords over a crisp two step break, in comes a high pass amen, switching gear with the baddest apache pre- drop breakdown. a haunting voice sample smashes instantly into the nastiest darkside ride of 2016, knocking the dance floor over side ways. rewind !!! everytime !!! reminiscent of j.majiks epic legendary 1994 track ‘your sound’ on metal headz. label artwork features ‘psycho’ 1980s new york subway train graffiti in pure hip hop style by james jessop. also seeing regularly club play by dj storm this autumn 2016, hypnotic chords weave deceivingly through each dimension re-distributing the frequencies. shuffling/marching beats and a mammoth, reece bassline, delivered straight from the deepest vaults. m.o.d is the madchester s two wildest brother s second release on horrific this year, following their huge floor essence 10- on horrific remixes 001, our ten” remix series

new years deal - , fresh from guesting on the debut powell lp sport (xl recordings), and having released on labels such as the tapeworm, entracte, and halcyon veil, dale cornish now presents clap - four rhythmic experiments that explore the mesmeric tones of the digital clap using the ever-popular tr909 clap pre-set. sharing similarities in intention with n.m.os as strict as possible approach, pieces subtly evolve and mutate around the clap to generate motion, tension and action. oolovka takes an unashamedly joyous look at the clap, where melodic repetition whirls and whirls until it takes on a form of mesmerising minimalism – perhaps taking its cues from a modern take on steve reichs ‘music for 18 musicians’ as a backdrop for the clap to playfully roll over and mutate into a sound which is both refreshingly light hearted yet steeped in rhythmic experimentation. cxema takes us a into a tenser, more claustrophobic space where a heads down pulse keeps the body locked until the fog is occasionally broken and the tension momentarily cleared via delayed claps and familiar sonar tones. this vibe continues into isolate with cornish upping the anxiety by using the clap as a foreboding menace. coming across like an inspired soundtrack to a military performance piece the concern appears to revolve around strict precision and strict movement and how the clap can be used to enforce and heighten this functional display. before encore winds things down by stripping things back to the bare minimum for movement – a single effected clap gradually layers and layers itself to create pleasingly odd high tension atmospherics solely through a meticulous process of delicate rhythm and repetition.

mysterious producer kian t is a crazy guy living in a lonely house on a top of a hill somewhere in italy. surrounded by a collection of rare old synths and vintage samplers, a little dog and the best red wine of italy. kian is making beats all day long. that’s his life. he started his career on toy tonics last year and now is back with an own ep - full of that fucked up, jazz influenced cut & paste house sound that is taking over the house world since last year. similar to his friends rhode & brown, fouk, nachtbraker or the guys around oye records in berlin he loves to create this special way of sampling old jazz records and using rare vintage synthesizers instead of digital computer sounds. just listen to a normal deep house records of the last years and compare it with the sound of the kian. using these old synths makes a big difference. you can hear it on every of his tunes: there is no cheap sound here everything is fat and has a very warm, personal, always easy to recognize sound-aesthetic: courtesy of the four synthesizers he uses: the korg polysix, the sequential prophet600, a roland juno 60, and the legendary oberheim matrix 6. and courtesy of the way he mixes his tracks: not in the laptop - but the old way: on a fat old mixing desk. thats why he has that massive sound.

thats desire/here we are ep is a 12inch vinyl and digital release by fragile, wolfgang tillmans evolving band project that spans from early recordings in 1986 with bert leßmann to a full band ensemble made up of a group of musicians in new york in 2016. the double a-side ep opens with thats desire, a collaboration with the new york rapper ash b. the song evokes associations with dfa, daf and a queer talking heads. in a spontaneous action ash b. takes over the mic and raps over tillmans heartfelt lyrics, originally written in 1985, combined with a funky bass line by thomas roach. the experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in ones own desire.

nomo 005 with four more analog sessions straight from the ocean floor! blue marbled vinyl with handmade stamps and free sticker, inspired by jules verne’s “20.000 leagues under the sea” ... deap-sea monsters and fear of the dark side! vinyl only - no digital release or promo!

to celebrate this years record store day/black friday, coalmine records is pleased to release a special-edition 7 inch version of heltah skeltahs previously digital-only slapper, midnight madness, featuring dj revolution. as fans of the duo already know, the circa-2009 track is pure flames, and brimming with hilarious bad-guy lyricism from ruck (aka the late sean price), and his partner in rhyme, rock. the two absolutely let loose over shukos funky instrumental, as ruck drops concrete flows while rock communicates with animals.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

holovr is jimmy billingham who also records under the aliass tidal, venn rain, journey of mind & holographic mind - he has released music on firecracker records, opal tapes and hooker vision as well as his own indole records release information anterior space may strike some listeners of a certain age as an echo of the gilded age of armchair techno exemplified by warp records artificial intelligence comps. theres a similar convergence of the cerebral and the blissful in the four epic compositions holovr (aka jimmy billingham) finesses from his analog and digital synths as that found on those early-90s pieces by black dog, b12, and others.

following on from the acclaimed “talk from home”, suzanne kraft returns to melody as truth with a second full release, “what you get for being young”. recorded in amsterdam over the course of may 2016, “what you get for being young” offers a full immersion into kraft’s ever-evolving world. a milky tip! . lush, digital manipulated synths spread across cold surfaces, metallic drums dance around skeletal song structures. whilst echoes of “talk from home” remain, they are but faint echoes, as kraft’s recent exploration into sound-design and digital manipulation confidently posits “what you get for being young” as an entirely new chapter in the artist’s growing narrative

lessismore (formerly lessismorecordings) was launched 10 years ago, and has been on hold for a few years. at the time the transition from vinyl to digital didn’t feel right and now that the vinyl market is coming up again the love and faith to release a beautiful product (vinyl with cool artwork) is back. this 10 year anniversary is a good reason to revive from hibernation state and to start sharing great music again. the first few releases from the relaunch will represent re-releases of the strongest ep’s from the back catalogue with remixes by respected artists.

after the big success on digital moblack records catalogue goes on wax with a collector s edition - moblack sampler vol. 1
dj support:
black coffee, osunlade, boddhi satva, zepherin saint, ndinga gaba, pablo fierro, sunlightsquare, djeff afrozila, dj spen, manoo, atjazz,

das album -100%- war längere zeit nicht zu haben. weder auf cd noch digital. die songs sind neu gemastert. die songs sind dieselben, es gibt keine neuen songs oder sonstiges bonusmaterial, einzig beim sound wird man ein paar unterschiede feststellen. den remastering-prozess hat eike freese gemacht. eike freese hat in den letzten 15 jahren an mehr als 170 veröffentlichungen mitgewirkt, darunter auch an alben und dvds von deep purple, saga, apocalyptica, gamma ray, eisbrecher, oomph!, heaven shall burn, callejon, uvm. für seine arbeiten an deep purples -now what?!- the live tapes- und eisbrechers -die hölle muss warten- wurde eike freese mit jeweils einer goldenen schallplatte ausgezeichnet. außerdem wird er mitverantwortlich für das kommende album sein. aber dazu mehr zu seiner zeit. das gesamte artwork wurde überarbeitet. die band ist immer wieder ergriffen über das, was die fans zurückgeben. Über feedback, enthusiasmus und der liebe zu dieser musik. das zeigt sich an so vielen stellen. am offensichtlichsten und wohl auch am unumstößlichsten an den fan-tattoos, die der band gewidmet sind. und genau diesen tattoos, diesen bildern für die ewigkeit, dieser leidenschaft, möchte die band mit diesem release tribut zollen. so wie auf der haut, sollen die tattoos auch in der discographie dieser band auf ewig das sichtbare zeichen einer innigen verbundenheit sein. viele fans werden ihr tattoo also im artwork dieses albums wiederfinden. bunt auf weiß. für immer. zu 100 prozent - und jetzt als vinyl - in grün!

having earned himself the status as one of madrids hottest techno-exports, regal is back on figure with a special ep comprising both new works from him plus two creative re-interpretations by none other than radio slave. original and remix rub shoulders on the records a-side, both revolving around its enticing vocal hook. while regal employs a skipping beat and skittish percussion to conjure up an air of mystery, radioslave crawls down further the rabbits hole and uncovers the track’s slumbering lunatic qualities. on the flipside regal is back in full control, albeit this time operating in a framework a tad more housy than usual: snappy snares slice up the bubbling acid-line on the fast whirling while its eponymus vocal sample ironically asks ‘did you see it?’. equally aptly-titled slab barges right in, wielding hefty drums and a bassline that oozes groove out of every loop. as part of the digital release, the ep comes with another atmospheric radioslave-rework of from other sounds, leaning on the ambient and heavy on the subs

avalon emerson’s latest ep, narcissus in retrograde, explores four different styles that shape her distinct voice as a producer and songwriter, from symphonic showstoppers to broken acid. opener “natural impasse“ ferries massive melodic themes through a network of emotive capillaries that’s underpinned by charging drums, while “dystopian daddy“ dons a theatrical flare with costume-changing arpeggiators and digital brass beef that command attention like a stage-hogging space alien diva lip-syncing for new wig money. the b-side takes a more menacing turn with “why does it hurt“, the outright techno achievement of the record, and the snarling closer “groundwater“. ethereal vocals on the former punctuate kicks and growls that sound like they were pulled from a pedal monster’s electric guitar, and on “groundwater“, a crucible of fucked breaks and acid cut a ravine through a bed of off-staccato hats and a sample swamp.

limited edition on transparent / clear vinyl.
2016 sees the great musical come back of thomas werner aka dynamik bass system and it seems that nothing can stop him! in the prolongation of his “computer brain – silicon vein” digital release on robotmachine records in january, the german artist returns with two blistering tracks.

2016 sees the great musical come back of thomas werner aka dynamik bass system and it seems that nothing can stop him! in the prolongation of his “computer brain – silicon vein” digital release on robotmachine records in january, the german artist returns with two blistering tracks.

lp in cardboard sleeve with cd included.
lp reissues cut from the long-awaited 2010 digital remasters for the first time on vinyl and cd, original release from 1977 reissues of a legendary artist, pioneer of the french electronic music.

nervous horizon co-head tsvi follows up 2015 debut ep, ‘set you free’, with powerful new record, ‘sacred drums’ — a 12” that delves even deeper into the raw, no-frills potential emanating from the nh camp right now. already sought after for his fierce and complex club material, ‘sacred drums’ sees tsvi up his game even further across four heavyset new solo productions, as well as bringing in nh crew members, luru and dj jm, to collaborate on two digital exclusives. opener, ‘the healer,’ is an immediate case in point, a dark, rasping drum workout that’ll function both in or away from the club, while ep tracks ‘darabukka’, ‘parade’ and ‘assam’s children’, although punctuated by deft sample touches and flashes of melody, deliver the sort of power-drum, club pressure that tsvi has made his firmly his own

lp in cardborad sleeve + cd included + poster lp reissues cut from the long-awaited 2010 digital remasters for the first time on vinyl and cd, original release from 1977 reissues of a legendary artist, pioneer of the french electronic music.

lp reissues cut from the long-awaited 2010 digital remasters for the first time on vinyl and cd, original release from 1980. reissues of a legendary artist, pioneer of the french electronic music. the french proto-electro is making a come-back as we’ve seen it with the success of both cosmic machine compilations. their 7” “onyx” sold over 3 million copies worldwide. space art is behind the massive hits: “onyx”, “give me love”, “love in c minor” and more. one of half of the band, dominique perrier, is one of legend jean-michel jarre’s closest collaborators. recognized as a keyboard virtuoso, he worked on all jarre’s albums from “rendez-vous” (1986)to “oxygène 7-1” (1997) and still tours with him around the world. space art also toured with him in china in the early ’80s. alongside jean-michel jarre and cerrone they are one of the most influential bands that pioneered electro music.

includes free download of all vinyl tracks plus bonus digital-only album tracks.

future sound of antwerp are the post-digital children of the citys techno scene, all forgotten mixtapes, and nighttime drives to ghent. these three tracks, all different, were all produced and mixed at deewee, at night, with a purpose.

the purpose of dm001 was to create a versatile compilation of tracks with the idea of exploring the limitless boundaries of electronic music. for the labels first release it was fortunate enough to work with an array of talented producers from all over the world. each of which has their own defining sound. dm001 is a non profit release, both vinyl and digital, with the digital release containing more tracks. all profits made from this release will be donated to the international rescue committee in efforts to aid syrian refugees.

iarltd004 it s a va remix sampler, featuring some of the best remixes illegal alien records has released on digital format, including remixes from audio injection, jonas kopp, stanislav tolkachev and jose pouj.

daniel meuzard aka feater originally hails from a small mountain village in the western austrian alps. the music producer with north african roots calls vienna his home for quite some time now. for more than ten years he has been involved in electronic music and working with analog synthesizers and classic tape recording. as an owner of a studio equipment shop he was able to get his hands on a wide variety of equipment. experimenting with different instruments and recording techniques helped him to develop his own musical ideas. in 2013 he released the 7inch vinyl single digital love on paradeis garage. in february 2015 he recorded his debut album waste the time on a 8track tape recorder and finalized it together with the producer and recording engineer sam irl in the summer of 2015. as a member of the finishgermanaustrian group skymax (along with stilettiana & sam irl) he released the vinyl ep trucker trans on his own label called international major label

early electronics by a.k.klosowski made available again through felix kubin s galgarin records label! long before digital sampling was affordable for everyone, a.k.klosowski invented his kassetteninstrument, a custom-made music apparatus consisting of eight sony-walkmen combined with a mute/demute mechanism. the outputs of the instrument could be controlled both by hand and by an automatic trigger module. in addition, a drum computer and some effect machines were fed into the circuit. this technique allowed for very intuitive and simultaneous control over the analogue tape sources.

after several eps on deep explorer is time for his first lp. six tracks full of deepness and old school feeling in the unique leo gunn way.

units and measurements is the collaborative project of christopher hreno, mathew jonson and colin de la plante. the project sees these long times friends and veteran producers exploring the limits of hardware based improvisation and deep synthesis and effects programing . documenting a single epic 24 hour session at jonson s mothership studio in berlin, this first release sees the trio exploring some of the headiest ambient and tunneling hypnotic techno to be found in any of their admittedly vast individual back catalogs. this release is without question a portrait of 3 masters of their craft at work, and quite unlike anything else you are likely to hear this year. units and measurements will be available in a double vinyl and digital formats on november 4th via blkrtz, with worldwide distribution via kompakt.

the first ep coming from london s brand new label no speakers. eman & el prevost go in with wise man set for release mid-spring on limited 12- and on digital stores. featuring cuts from south london’s very own rob perry, kore vex and the aclaimed mark broom. mark broom is a man that needs very little introduction, a truly prolific artist, with a myriad of production credits to his name. mark draws influence from the chicago s acid house sounds of old bringing a classic feel to his wise man remix kore vex’s blend of dark twisted sounds will take you on a journey of deep dubby techno and house filled beats. he continues to push his music production for a unique and distinctive, high-quality sound which comes to the foreground in this deep soul mix of ‘wise man’. rob perry takes a new step in this production, putting a spin on his signature style of deep tech house with a new underground direction.

die australischen electro-vordenker von empire of the sun laden ihre fans diesen herbst zum dritten mal in ihren vertonten garten der glückseligkeit: das dritte album »two vines« wurde in hawaii und los angeles aufgenommen und von empire of the sun und peter mayes (sia, the killers, mika) produziert – und mit jonathan sloan hat ein angestammter gast im studio ausgeholfen.
die vinyl-lp erscheint im klappcover, downloadcode inklusive.

limited first pressing of 150 copies on black vinyl.
elisabeth dixon is a producer/live performer (melbourne, australia) specializing in experimental techno/edm. layering meditative drones beneath dark industrial beats, her approach to sound design is rooted in both hypnotic, trance inducing experience and the aggressive frenzy of industrial techno. having performed steadily since her emergence in 2015, dixon has played dance floors from the mercat to revolver, abandoned warehouses to lounge, alongside respected artists like daze, chiara kickdrum, sleep d & oake (berlin). elisabeth dixon’s debut lp, entitled “lp1&#8243,,,,,,,, is slated for release on october 5th 2016 on vinyl/digital through trait records (melbourne) and instruments of discipline (berlin).

limited first pressing of 100 copies on orange vinyl.
elisabeth dixon is a producer/live performer (melbourne, australia) specializing in experimental techno/edm. layering meditative drones beneath dark industrial beats, her approach to sound design is rooted in both hypnotic, trance inducing experience and the aggressive frenzy of industrial techno. having performed steadily since her emergence in 2015, dixon has played dance floors from the mercat to revolver, abandoned warehouses to lounge, alongside respected artists like daze, chiara kickdrum, sleep d & oake (berlin). elisabeth dixon’s debut lp, entitled “lp1&#8243,,,,,,,, is slated for release on october 5th 2016 on vinyl/digital through trait records (melbourne) and instruments of discipline (berlin).

rotur is a vinyl only label based in italy. we start off with a va including 4 tracks by nektar agu, loxique, alan castro and bacir. no digital promo.

the second release on tale of us s afterlife label is a three-track ep from vaal. the record, titled wander to hell, will come out on vinyl and digital formats on october 21st. in addition to the title track, there are remixes from locked groove and baikal.

after the success of the leitzeiten ep from turbo turbo last year, we release now for the very first time this digital bonus track inner walls in combination with a fresh new remix from dan curtin. dan curtin better known with releases on strictly rhythm, peacefrog, sinewave, sublime, mobilee, paper, epm and his own label metamorphic and of course with his side project purveryors of fine funk (peacefrog records) delivered us a typical dc acid bomb. this mix is a pure bomb on the dance floor. together with the amazing original version is this record a sure player for every house and techno lover. we are proud to release this both great track son one 12inc. this record will be available on vinyl only, not as digital release.

having repeatedly proven himself to be one of the uk s most innovative rising producers, impey returns with his debut ep, midnight in little havana , on the critically acclaimed astral black imprint. the release follows his bangclap single which comes off the back of two prolific years that have seen the 20 year old producer crafting soundscapes for viral campaigns for converse, securing a residency on nts, tearing up radio sets alongside the likes of faze miyake, and having the likes of skepta, trim, capo lee and rocks foe bless his instrumentals on sets from slimzee, dj maximum, kahn & neek, murlo and plastician. midnight in little havana sees impey serving up a diverse five track collection that showcase his versatile production skills drawing influence from grime, jersey club and vangelis-esque synthscapes. the ep is as much for the dance floor as it is the after hours bus home. at its centre is long time crowd favourite bleepz which finally sees its official release, having been a go-to track exclusively for djs such as boofy & hi5ghost and kromestar. the track is framed by 130bpm dance floor melters pep talk and pong song as well as showing impey s more intricate side through its title track and inner , both of which resemble astral black releases by the likes of drae da skimask and jaisu moreso than its club-focussed vinyl releases. midnight in little havana is presented visually with another stellar effort from astral black in-house designer oscar whale, the 12- being housed in a full colour sleeve depicting an illustration of miami s little havana strip, as detailed & nuanced as impey s productions. midnight in little havana is set for release on october 14th on 12- vinyl & digital via astral black.

straight ahead music presenting their twelfth vinyl & digital release from lee walker with 2 big remixes by david glass and jozef k & winter son. thanks to lee walker for keeping their tracks to sascha sonido´s label straight ahead music.

prince of persia sound from the big city: the dusty twilight of day and night sets the atmospheric backdrop for the dreamlike groove visions of berlin based producer zigan aldi. the track “blue hill” combines a compelling bassline with the enigmatic sound of a string instrument that seems to originate straight from the parallel world of 1001 nights. “rosa martha” starts as a stripped-down rhythm tool with a rather dark vibe which then contrasts beautifully with a hint of warm house music bubbling up from the depths towards the middle of the track. mollono.bass and pophop dedicate their remixes to the uplifting side of things, and the digital version provides two more exciting adventure stories for dance floor explorers.

jesus nava, willian kraup, waitz and fhaken oined for a special material 12inch! these tracks will not be released on digital until end of year so grab them fast

previously unreleased! same rhythm as on jl-032 and jl-034. three more killer previously unreleased digital cuts from the late 80s. all are riding the same wicked lick of easy take it easy as employed on the digi classic easter sunday morning- from culture paul. we now have junior brammer, icho candy and the late great i roy getting down on the rhythm.

previously unreleased! same rhythm as on jl-032 and jl-033. three more killer previously unreleased digital cuts from the late 80s. all are riding the same wicked lick of easy take it easy as employed on the digi classic easter sunday morning from culture paul. we now have junior brammer, icho candy and the late great i roy getting down on the rhythm.

repress - white vinyl , vinyl only label focussing on quality deep house. handstamped, no digital. this is the first release, proper old school chi-town/ny vibey stuff. >we love house music, and this our playground! we dont want you to focus on who made the tracks, we want you to feel the music!<

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined